In sight of the author are scantily explored questions of coherence of scenic and screen arts of boundary X1X-XX centuries in Russia. The author considers theatre and cinema like parallel processes and comes to conclusions both about unity of arts and about specificity of their existing. Author research at the statue an influence of cinematographic ways on theatric art in conditions of tehnografic environment, which had demanded new aesthetics. In particular, there is talking about searching innovations with coming XX century using younger art - cinematograph.