The article includes analysis of research practice of approximation and comparison of philosophical components of F. Dostoevsky's and M. Stirner's heritage. Key motives, mechanisms, contexts of this practice, which specifies basic directions and controversial character of revealing of ideas that unite the Russian writer and the German philosopher are considered. Author Undertaken attempt to trace a having prospects course in study of principal aspects of F. Dostoevsky's art world that assumes associations with the doctrine of M. Stirner outside of a tonality of opposition and negativism.