Publication schedule
  • №1 March 2020
    Submission deadline: 5 February 2020
  • №2 June 2020
    Submission deadline: 5 May 2020

Articles from section "Theory of art"

52

Theory of art
  • Year: 2012
  • Issue: 1
  • 0
  • 969
  • Pages: 284-286

Theory of art
  • Year: 2013
  • Issue: 4
  • 478
  • 1176
  • Pages: 0-0

Theory of art
  • Year: 2013
  • Issue: 4
  • 1204
  • 2262
  • Pages: 0-0

Transformation  of  Classical  Topics  in  the  Literature  of  Post-Romanticism  in  the  Last  Third  of  XIXth  Century  (based  on  “Les  Chants  de  Maldoror”  (The  Songs  of  Maldoror)  by  Lautréamont  and “Illuminations” by Rimbaud)

Theory of art
  • Year: 2012
  • Issue: 4
  • 0
  • 1034
  • Pages: 171-174

New technologies in art communications: the creative concept of computer art

Theory of art
  • Year: 2012
  • Issue: 4
  • 0
  • 959
  • Pages: 168-170

The  icon  in  the  ensemble  of  the  internal  space  of  the  temple:  on  the  historiographical  statement of the problem

Theory of art
  • Year: 2012
  • Issue: 3
  • 0
  • 906
  • Pages: 139-142

Role  of  science  in  the  formation  and  development  of  the  Russian  animalistiĆeskoe  art  of  XVIII—XX Centuries

Theory of art
  • Year: 2012
  • Issue: 3
  • 0
  • 990
  • Pages: 135-139

The beginning and the main stage of becoming Sweden pottery manufactures in XVIII century

Theory of art
  • Year: 2012
  • Issue: 2
  • 0
  • 971
  • Pages: 192-198

Traditions of puppet theatre in European dramaturgy: Samuel Beckett (“Endgame”)

Theory of art
  • Year: 2012
  • Issue: 2
  • 0
  • 941
  • Pages: 189-192

Decorative decision of works of the icon-painting embroidery of the XVI century.  A value of Christian symbolism

Theory of art
  • Year: 2012
  • Issue: 2
  • 0
  • 1020
  • Pages: 185-188

Associate in costume design: a modern approach

Theory of art
  • Year: 2011
  • Issue: 2
  • 0
  • 880
  • Pages: 283-286

World-images of dramatic poem by V.S. Pechorin «Pot-pourri, or What you want, this you ask»

Theory of art
  • Year: 2011
  • Issue: 2
  • 0
  • 861
  • Pages: 279-283

The literary-biographical anecdote at the D.I. Fonvizin’s «Letters from France» and N.M. Karamzin’s «letters of the Russian traveller»

Theory of art
  • Year: 2011
  • Issue: 2
  • 0
  • 951
  • Pages: 273-279

Art organization of internal space in St. Petersburg architecture of the XIX – the beginning of XX century

Theory of art
  • Year: 2011
  • Issue: 2
  • 0
  • 938
  • Pages: 265-273

The notion «theatricality» as a multi-layer component of dramatical discourse in theoretical and pragmatic aspects

Theory of art
  • Year: 2011
  • Issue: 2
  • 0
  • 951
  • Pages: 260-265

Works of embroidery in the context of the theory of the image of Dionysius the Areopagite

Theory of art
  • Year: 2011
  • Issue: 2
  • 0
  • 1004
  • Pages: 256-259

Methodology of the research organization the ensemble made out to order in St. Petersburg

Theory of art
  • Year: 2011
  • Issue: 2
  • 0
  • 997
  • Pages: 251-256

Colour experiments in works of Herbert Rosendorfer

Theory of art
  • Year: 2011
  • Issue: 2
  • 0
  • 951
  • Pages: 247-251

«Odessa-accent» in the songs of V. Visotsky

Theory of art
  • Year: 2011
  • Issue: 2
  • 0
  • 833
  • Pages: 242-247

The texts model of ancient and modern architecture

Theory of art
  • Year: 2010
  • Issue: 2
  • 0
  • 1024
  • Pages: 246-251

To history formation of an iconography of an image the foolish in the christ

Theory of art
  • Year: 2010
  • Issue: 2
  • 0
  • 981
  • Pages: 241-246

Literary and aesthetic position of P.A. Vyazemskiy

Theory of art
  • Year: 2010
  • Issue: 2
  • 0
  • 999
  • Pages: 237-240

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Theory of art
  • Year: 2014
  • Issue: 1
  • 785
  • 2067
  • Pages: 307-311

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Theory of art
  • Year: 2014
  • Issue: 1
  • 862
  • 2099
  • Pages: 298-306

Analysis of iconography in the context of epistemology of fr. Pavel Florensky: preliminary observations

Theory of art
  • Year: 2013
  • Issue: 1
  • 0
  • 1005
  • Pages: 148-154

Ark of Iakov Borovichsky and a tomb Michael Klopsky: tradition of ornamentation

Theory of art
  • Year: 2012
  • Issue: 1
  • 0
  • 992
  • Pages: 287-292

Philosophy of Anry Bergson and cubism

Theory of art
  • Year: 2012
  • Issue: 1
  • 0
  • 1075
  • Pages: 280-284

Methodologies of research of the old Russian icon – painting embroidery

Theory of art
  • Year: 2011
  • Issue: 1
  • 0
  • 891
  • Pages: 323-327

New aesthetics in conditions of technographical environment: cinematic and performing arts

Theory of art
  • Year: 2011
  • Issue: 1
  • 0
  • 961
  • Pages: 317-322

Pragmatic component of the concept of love represented in the sonnets by W. Shakespeare

Theory of art
  • Year: 2011
  • Issue: 1
  • 0
  • 831
  • Pages: 313-316

The traditions of the rhetorical biography at the D.I. Fonvizin’s «greek story» «Kallisphen»

Theory of art
  • Year: 2011
  • Issue: 1
  • 0
  • 985
  • Pages: 307-312

World-images of poetry by A.S. Norov

Theory of art
  • Year: 2011
  • Issue: 1
  • 0
  • 1027
  • Pages: 302-306

B. Shaw’s «Heartbreak house» as means of reflection and formation of non-linguistic reality

Theory of art
  • Year: 2011
  • Issue: 1
  • 0
  • 798
  • Pages: 295-301

The image of Wellington in the documentary fiction literature

Theory of art
  • Year: 2011
  • Issue: 1
  • 0
  • 953
  • Pages: 289-294

Folklore and mythological elements in the Veltman’s «romance» novels

Theory of art
  • Year: 2011
  • Issue: 1
  • 0
  • 934
  • Pages: 286-289

On stylistic features of the frescoes of the church Hodigitria-Afendiko in Mystras

Theory of art
  • Year: 2011
  • Issue: 1
  • 0
  • 946
  • Pages: 279-285

Aesthetic dialog between B. Shaw and L.N. Tolstoy

Theory of art
  • Year: 2011
  • Issue: 1
  • 0
  • 934
  • Pages: 274-279

Alexander Galich: birth of one image

Theory of art
  • Year: 2011
  • Issue: 1
  • 0
  • 945
  • Pages: 269-273